Wednesday, July 31, 2019
Modern dance Essay
Question 1 of 25     Score: 2   (of possible 2 points) The French court ballet reached its height during the reign of Louis XIV, whose very birth had been celebrated by the _______________ of 1639. A. Ballet de la Felicite B. Ballet de la coutisane appele C. Ballet de Madame D. Ballet de la Deliverance de Renaud ANS:A The dancers in the earliest ballets were highly skilled professionals capable of feats of strength and agility. True False ANS:F In an effort to convey some meaning to the viewer, 18th century choreographers were inspired to evolve the ________________, which attempted to unfold a story purely in terms of movement. A. commedia dell’arte B. ballet d’action C. break dancing D. pantomime ANS:B The rise of the court ballet in France paralleled the birth of opera in Italy, and coincided with the opening of the first public theatres in France as well as the rise of the great French playwrights Corneille and Racine. True False ANS:T Both France and Italy contributed to the development of the court ballet. True False Answer Key: True Question 2 of 25     Score: 2   (of possible 2 points) As the 17th century progressed, ballet in France was gradually transformed from the diversion of noble amateurs into a professional art. True False Answer Key: True Question 3 of 25     Score: 2   (of possible 2 points) Dancing in general in the 16th and 17th century court was considered a means of socializing the individual and drawing him into harmony with the group, and formed an important part of the education of a gentleman. True False Answer Key: True Question 4 of 25     Score: 2   (of possible 2 points) In Vienna (1740’s), who began to create dramatic ballets inspired by the stories of mythological lovers? A. Jean Georges Noverre B. Franz Anton Hilverding C. Maximilien Gardel D. Jean Dauberval. Answer Key: B Question 5 of 25     Score: 2   (of possible 2 points) Most of the early court ballet themes were derived from literary sources, and the ballets themselves included spoken or sung verses which were called _______. A. recits B. intermedii C. trionfi D. libretto Answer Key: A Question 6 of 25     Score: 2   (of possible 2 points) _____________who made her debut at the Paris Opera in 1726, was a brilliant technician, excelling in beaten steps such as entrechats and cabrioles. Audiences were charmed with her sprightliness and vivacity. A. Marie Camargo B. Marie Salle. C. Marie Taglioni D. Marie Osmond Answer Key: A Question 7 of 25     Score: 2   (of possible 2 points) The court ballet, who’s chief purpose was to glorify the State, was a carefully calculated mixture of _____________. A. art and politics B. politics and entertainment C. both a and b Answer Key: C Question 8 of 25     Score: 2   (of possible 2 points) The French court ballet reached its height during the reign of Louis XIV, whose very birth had been celebrated by the _______________ of 1639. A. Ballet de la Felicite B. Ballet de la coutisane appele C. Ballet de Madame D. Ballet de la Deliverance de Renaud Answer Key: A Question 9 of 25     Score: 2   (of possible 2 points) Who was the 18th century ballerina who was admired for her dazzling virtuosity, especially in the beaten jumps called entrechats? A. Marie Camargo B. Marie Salle C. Marie Taglioni D. Marie Osmond Answer Key: A Question 10 of 25     Score: 2   (of possible 2 points) Who succeeded Jean Georges Noverre as director at the Paris Opera? A. Franz Anton Hilverding B. Maximilien Gardel C. Jean Dauberval D. both b and c Answer Key: D Question 11 of 25     Score: 2   (of possible 2 points). The playwright Moliere’s comedies-ballets may be viewed as a transitional form between the court ballet and the professional theatrical art that was developing in 1661. True False Answer Key: True Question 12 of 25     Score: 2   (of possible 2 points) During the era of the Ballet d’Action, the range of topics that had been successfully treated included __________________. A. mythological tales B. classical tragedies C. historical dramas D. love stories and pastorals E. all of the above Answer Key: E Question 13 of 25     Score: 2   (of possible 2 points). The Academie de Musique was later to be known familiarly as the Paris Opera. True False Answer Key: True Question 14 of 25     Score: 2   (of possible 2 points) The 18th century was an age of brilliant dancers, and both dancers and choreographer felt that dance should convey some meaning to the viewer, which inspired the evolution ballet d’action, which unfolded a story purely in terms of movement. True False Answer Key: True Question 15 of 25     Score: 2   (of possible 2 points) In 1738, Jean-Baptiste Lande established a school which would eventually become the school of the Kirov Ballet at the Maryinsky Theatre. True False Answer Key: True Question 16 of 25     Score: 2   (of possible 2 points) Who is credited with identifying the five positions of the feet upon which all ballet steps are based, systematizing the method of teaching dance, and devising a system of dance notation? A. Pierre Rameau B. Phlippe Quinault C. Pierre Beauchamp D. Pierre Perrin Answer Key: C Question 17 of 25     Score: 2   (of possible 2 points) The different components of early French court ballets included _________. A. dance and music B. poetry and music C. dance and design D. poetry and dance E. all of the above Answer Key: E. Question 18 of 25     Score: 2   (of possible 2 points) During the era of Moliere’s comedies-ballets, professional dancers began to evolve technical feats that demanded a high degree of training and skill, such as _________________. A. pirouettes B. cabrioles C. entrechats D. all of the above Answer Key: D Question 19 of 25     Score: 2   (of possible 2 points) Which ballet was first performed on the proscenium stage of the theatre of the Palais-Royal in 1641? A. Ballet de la Felicite B. Ballet des Voleurs C. Ballet des Fees de la Foret de Saint-German D. Ballet de la Prosperite des armes de la France Answer Key: D. Question 20 of 25     Score: 2   (of possible 2 points) Who was the choreographer of Ballet Comique de la Reine Louise, presented in 1581? A. Jean-Antoine de Baif B. Catherine de’ Medici C. Louis XIV D. Balthasar de Beaujoyeulx Answer Key: D Question 21 of 25     Score: 2   (of possible 2 points) Who rose to prominence in the French court thanks to his talents as a dancer, violinist and composer, and dominated the Paris Opera from 1672 until his death in 1687? A. Pierre Perrin B. Peirre Beauchamp C. Jean-Baptiste Lully D. Claude Balon Answer Key: C Question 22 of 25     Score: 2   (of possible 2 points). Who was to become the 18th century’s most aggressive proponent of the ballet d’action? A. Jean Georges Noverre B. Franz Anton Hilverding C. Maximilien Gardel D. Jean Dauberval Answer Key: A Question 23 of 25     Score: 2   (of possible 2 points) The Development of the Ballet d’Action showed that ballet was an art of considerable flexibility. True False Answer Key: True Question 24 of 25     Score: 2   (of possible 2 points) ‘The Art of Dancing’ was the first completed notation system to record dance steps with abstract symbols. True False Answer Key: True Question 25 of 25     Score: 2   (of possible 2 points). When the 18th century ended, ballet had established itself as a legitimate vehicle for dramatic expression, and not merely a decorative adjunct to an opera or play. True False Answer Key: True Part 1 of 1  Multiple Choice/True False     Score: 50   (of possible 50 points) Please choose the best possible answer for the following questions. Question 1 of 25     Score: 2   (of possible 2 points) Which ballet was a showcase for four jewels of the Romantic ballet? A. Giselle B. La Sylphide C. Pas de Quatre D. La Esmeralda Answer Key: C Question 2 of 25     Score: 2   (of possible 2 points). Although Russia played the role of follower rather than a leader in the world of dance until the late 19th-century, the situation was reversed between 1890 and 1910 by the works of French born choreographer ________ and Russian choreographer ________. A. Jules Perrot, Adam Gluszowski B. Jean Coralli, Alexander Benois C. Marius Petipa, Mikhail Fokine D. Philippo Taglioni, Vaslav Nijinsky Answer Key: C Question 3 of 25     Score: 2   (of possible 2 points) Ballet’s of the Romantic era dealt with mystical, or supernatural themes and included characters such as ____________. A. sylphides B. water nymphs C. fire spirits D. peris E. demons F. all of the above Answer Key: F Question 4 of 25     Score: 2   (of possible 2 points) Peter Ilyich Tchaikovsky was the composer for The Rite of Spring. True False Answer Key: False Question 5 of 25     Score: 2   (of possible 2 points) Who was the lead dancer in the 1911 performance of L’Apres-midi d’un faune? A. Rudolph Nureyev B. George Balanchine C. Merce Cunningham D. Vaslav Nijinsky Answer Key: D Question 6 of 25     Score: 2   (of possible 2 points) Which ballet was considered a deliberate affront to art, and resulted in a violent reaction by audience members at its debut, including hisses, catcalls and fighting? A. Scheherazade B. Petrouchka C. Le Spectre de la Rose D. The Rite of Spring Answer Key: D Question 7 of 25     Score: 2   (of possible 2 points) Viennese ballerina Fanny Elssler (rival to Taglioni) was known for her precision and rapid execution of small quick steps. True False Answer Key: True Question 8 of 25     Score: 2   (of possible 2 points) Who was the founder of Ballet Russes? A. Serge Diaghilev B. Alexandre Benois C. Leon Bakst D. Konstantin Stanislavsky Answer Key: A Question 9 of 25     Score: 2   (of possible 2 points) Who was the leading costume and set designer for the Ballets Russes? A. Serge Diaghilev B. Alexandre Benois C. Leon Bakst D. Konstantin Stanislavsky Answer Key: C Question 10 of 25     Score: 2   (of possible 2 points) Who was the choreographer in the 1911 performance of L’Apres-midi d’un faune A. Rudolph Nureyev B. George Balanchine C. Merce Cunningham D. Vaslav Nijinsky Answer Key: D Question 11 of 25     Score: 2   (of possible 2 points) Which dancer of the Ballet Russes was known for his legendary elevation and ability to ‘hover’ in the air, as well as his controversial performances? A. Michel Fokine B. Vaslav Nijinsky C. Adolph Bolm. Answer Key: B Question 12 of 25     Score: 2   (of possible 2 points) The stage and costume design that Leon Baskst created for ________ in 1910 sparked new fashions in the worlds of dress design and interior decoration. A. Scheherazade B. Le Spectre de la Rose C. Petrouchka D. L’Apres-midi d’un faune Answer Key: A Question 13 of 25     Score: 2   (of possible 2 points) The classical ballet’s sense of clarity, harmony, symmetry and order is demonstrated by the crystallization of the pas de deux. True False Answer Key: True Question 14 of 25     Score: 2   (of possible 2 points). The adoption of the soft, close-fitting slipper in the late 18th century paved the way for the ballerina’s rise to the tips of her toes, eventually known as pointe technique. True False Answer Key: True Question 15 of 25     Score: 2   (of possible 2 points) Which composer was commissioned by the Imperial Theatres to write the music for Sleeping Beauty, replacing previous poorly esteemed specialists? A. Igor Stravinsky B. Ivan Vsevolojsky C. Frederic Chopin D. Peter Ilyich Tchaikovsky Answer Key: D Question 16 of 25     Score: 2   (of possible 2 points). Peter Ilyich Tchaikovsky was the composer for the ballets Sleeping Beauty, The Nutcracker, and Swan Lake. True False Answer Key: True Question 17 of 25     Score: 2   (of possible 2 points) What was perhaps the most important single influence on 19th-century ballet? A. Classicism B. Neo-Classicism C. Modernism D. Romanticism Answer Key: D Question 18 of 25     Score: 2   (of possible 2 points) Which ballet, first produced at the Paris Opera on 12 March 1832, was such a perfect expression of Romantic urgings that it immediately changed the face of the ballet of its time. A. Swan Lake B. Petrouchka. C. Giselle D. La Sylphide Answer Key: D Question 19 of 25     Score: 2   (of possible 2 points) Which choreographer was one of the creators of Giselle, a gifted dancer himself, did most of his dramatic ballets in London, and whose work was part of the international expansion of the Romantic ballet? Answer Key: B Question 20 of 25     Score: 2   (of possible 2 points) The costume which had been shortened since Taglioni’s day, and had become the ballerina’s uniform and mark of status, was called the tutu. True False Answer Key: True Question 21 of 25     Score: 2   (of possible 2 points). Marie Taglioni was known for her effortlessness, lightness and fluidity of movement. True False Answer Key: True Question 22 of 25     Score: 2   (of possible 2 points) Which Romantic ballet masterpiece, first produced at the Paris Opera, is credited with immediately changing the face of the ballet of its time? A. Giselle B. Pas de Quatre C. La Esmeralda D. La Sylphide Answer Key: D Question 23 of 25     Score: 2   (of possible 2 points) Which female dancer first had the title role in La Sylphide? A. Marie Taglioni B. Fanny Elssler C. Carlotta Grisi D. Lucile Grahn E. Fanny Cerrito Answer Key: A. Question 24 of 25     Score: 2   (of possible 2 points) In La Sylphide, ____________’s effortlessness, lightness and fluidity of movement, which, coupled with her chaste and modest bearing, made her appear to be indeed an airy being innocent of human lusts and desires. A. Marie Camargo B. Marie Salle C. Marie Taglioni D. Marie Osmond Answer Key: C Question 25 of 25     Score: 2   (of possible 2 points) The ballet of the Romantic period was immortalized by the paintings and drawings of which famous artist? A. Claude Monet B. Michelangelo C. Leonardo da Vinci D. Edgar Degas Answer Key: D. Part 1 of 1  Multiple Choice/True False     Score: 50   (of possible 50 points) Question 1 of 25     Score: 2   (of possible 2 points) The style known as _______ built upon and extended the formalism of Petipa’s era, giving it new interest without violating the rules of clarity and order. A. classical ballet B. neoclassical ballet C. modern dance D. pre-modern dance Answer Key: B Question 2 of 25     Score: 2   (of possible 2 points) The Denishawn school offered its students a richly varied curriculum, including ballet (performed without shoes), free-flowing exercises for the arms and torso, ethnic and folk dances. True False Answer Key: True Question 3 of 25     Score: 2   (of possible 2 points) The last great ballet of Diaghilev’s era was _______ . A. Les Biches B. Le Train Bleu C. The Prodigal Son D. The Sleeping Princess Answer Key: C Question 4 of 25     Score: 2   (of possible 2 points) Ted Shawn and his Men Dancers, was dedicated to proving that dancing was a highly masculine activity. True False Answer Key: True Question 5 of 25     Score: 2   (of possible 2 points) Which oganization created the Federl Dance Project which produced Helen Tamiris’s How Long Brethren? in 1935 as part of its effort to alleviate the widespread unemployment of the depression, and marked the first time public funds had been used in the U. S. to create dance works? A. Works Progress Administration B. New Dance Group C. Worker’s Dance League Answer Key: A Question 6 of 25     Score: 2   (of possible 2 points) Who was the choreographer of Apollo and The Prodical Son, the only two ballets he made for Diaghilev that have survived to the present day? A. George Balanchine B. Leonide Massine C. Serge Lifar D. Kasian Goleizovsky Answer Key: A Question 7 of 25     Score: 2   (of possible 2 points). Which Cubist artist disigned sets and costumes for for the ballets Parade, Le Tricorne, Pulcinella, and Cuadro Flamenco in the early 1900’s? A. Fernand Legar B. Francis Picabia C. Pablo Picasso D. Leon Bakst Answer Key: C Question 8 of 25     Score: 2   (of possible 2 points) Which of these post-Denishawn pioneers had a lighter touch which provided a welcome relief in the serious, somtimes somber world of Modern dance? A. Martha Graham B. Doris Humphrey C. Charles Weidman D. Erick Hawkins Answer Key: C Question 9 of 25     Score: 2   (of possible 2 points). Which two dancers held doctoral degrees in anthropology, did field work in Africa and the Carribean, and were the leaders of the Black dance movement in the 30’s and 40’s? A. Lester Horton and Jose Limon B. Katherine Dunham and Pearl Primus C. Helen Tamiris and Edith Segal D. La Meri and Ruth St. Denis Answer Key: B Question 10 of 25     Score: 2   (of possible 2 points) After Fokine and Nijinsky left The Ballet Russes, Diaghilev groomed which dancer as the next choreographer? A. George Balanchine B. Serge Lifar C. Anna Pavlova D. Leonide Massine Answer Key: D Question 11 of 25     Score: 2   (of possible 2 points). Which American dancer was the symbol of female longings, well-hidden or perhaps even unconscious, for emancipation from the traditional roles of wife and mother, for sexual freedom and personal fulfillment? A. Loie Fuller B. Isadora Duncan C. Ruth St. Denis D. Kate Vaughan Answer Key: B Question 12 of 25     Score: 2   (of possible 2 points) In Russia a period of experimentalism followed the 1917 Revolution. True False Answer Key: True Question 13 of 25     Score: 2   (of possible 2 points) Which of the following is true about Modern dance of the 1930’s and 40’s? A.it embodied the complexities and contradictions of the modern world B. It confronted the grim realities of life, but also found a place for lyricism and humor C. it sought to express the American heritage, yet it also recognized the ethnic diversity of Americans and tried to convey this through dance D. all of the above are true Answer Key: D Question 14 of 25     Score: 2   (of possible 2 points) Which American dancer drew inspiration from many cultures and choreographed Radha, an exotic evocation of hindu temple dancing? A. Isadora Duncan B. Loie Fuller C. Ruth St. Denis D. Ted Shawn Answer Key: C Question 15 of 25     Score: 2   (of possible 2 points) Who spurned the decorative prettiness of contemporary ballet in favor of a style that emphasized emotional intensity and strong, stark movements? A. Doris Humphrey B. Rudolph Laban C. Hanya Holm D. Mary Wigman Answer Key: D Question 16 of 25     Score: 2   (of possible 2 points) What year was the term ‘Modern Dance’ coined? A. 1950 B. 1910 C. 1890 D. 1927 Answer Key: D Question 17 of 25     Score: 2   (of possible 2 points) Martha Graham searched for the fundamental principles of movement. She evolved theories that became the basis of her dance technique. The basic human function of breathing inspired Graham’s theory of ________________. A. fall and recovery B. swoop and swirl C. contraction and release D. twist and turn Answer Key: C Question 18 of 25     Score: 2   (of possible 2 points) Who found ideas for her dances in natural phenomena such as the movement of wind and waves, and drew upon ordinary actions such as walking, running, skipping and jumping: the normal ‘movement repertory’ of human beings? A. Isadora Duncan B. Mary Wigman C. Martha Graham D. Doris Humphrey Answer Key: A Question 19 of 25     Score: 2   (of possible 2 points). Which American dancer eschewed the technical virtuosity of ballet, was not particularly interested in storytelling or expressing emotions through dance, and devised a type of dance that focused on the shifting play of lights and colors on the voluminous skirts or draperies she wore? A. Isadora Duncan B. Ruth St. Denis C. Loie Fuller D. Kate Vaughan Answer Key: C Question 20 of 25     Score: 2   (of possible 2 points) Which ballerina performed the following pieces inspired by natural images: Dragonfly (1915), California Poppy (1915) and the best known of all, The Dying Swan, which Fokine had choreographed for her in 1907? A. Natalia Makarova B. Fanny Elssler C. Anna Pavlova Answer Key: C Question 21 of 25     Score: 2   (of possible 2 points) Which organization was a confederation of dance groups founded in 1933 for the purpose of political activism through dance? A. Works Progress Administration B. New Dance Group C. Federal Dance Project D. Workers’ Dance League Answer Key: D Question 22 of 25     Score: 2   (of possible 2 points) Which Modern dancer used West Indian and African dance as the basis for her powerful works on black themes? A. Isadora Duncan B. Martha Graham C. Yvonne Rainer D. Pearl Primus Answer Key: D. Question 23 of 25     Score: 2   (of possible 2 points) Who served as musical director for the Denishawn company and encouraged both St. Denis and Shawn to commission new scores by American composers? A. Louis Horst B. Johannes Brahms C. John Cage D. Igor Stravinsky Answer Key: A Question 24 of 25     Score: 2   (of possible 2 points) Which early 20th century Russian experimentalist believed choreographers should study the orchestral scores of their ballets so that their choreography would reflect musical qualities such as instrumental color and dynamics? A. Fyodor Lopukhov B. Kasian Goleizovsky. C. Nicholas Sergeyev D. Olga Spessivtseva Answer Key: A Question 25 of 25     Score: 2   (of possible 2 points) The subject of Isadora Duncan’s choreography was the soul: universal emotions, responses and aspirations. True False Answer Key: True Part 1 of 1  Multiple Choice/True False/Matching     Score: 48   (of possible 50 points) Question 1 of 23     Score: 2   (of possible 2 points) Which American dancer combined ballet, tap, jazz, ballroom and gymnastics in his musicals and films, which he often choreographed and directed as well as performed? A. Fred Astaire B. George Balanchine C. Mark Morris D. Gene Kelly Answer Key: D Question 2 of 23     Score: 2   (of possible 2 points) Which 20th century American choreographer created the light hearted ballet Fancy Free for Ballet Theater which was later expanded into a highly successful musical comedy, On the Town? A. Roland Petit B. Anthony Tudor C. Jerome Robbins D. Peter Martins Answer Key: C Question 3 of 23     Score: 2   (of possible 2 points) Danced to a score by Aaron Copland, which ballet was one of the most successful pieces mounted by the Ballet Russe de Monte Carlo and was the work of American choreographer Agnes de Mille? A. Graduatuin Ball (1940) B. Rodeo (1942) C. Night Shadow (1946) D. A Tradegy of Fashion (1926) Answer Key: B Question 4 of 23     Score: 2   (of possible 2 points) Which young ballerina took over Alicia Markova’s roles when she left in 1935, and went on to create many roles in Frederick Ashton’s ballets? A. Marie Rambert B. Margot Fonteyn C. Ninette de Valois D. Tamara Toumanova Answer Key: B Question 5 of 23     Score: 2   (of possible 2 points) By the _______ ballet was well on its way to becoming a truly international art, with no single city as the center of the dance world. A. 1930s. B. 1940s C. 1950s D. 1960s Answer Key: C Question 6 of 23     Score: 2   (of possible 2 points) Although the deaths of Diaghilev in 1929 and Pavlova in 1931 began to weaken the Russian monopoly on western ballet, the tradition of the Ballet Russes was carried on in new ballet companies which sprang up in Britain, France and the U. S in the 1930s and 40s. True False Answer Key: True Question 7 of 23     Score: 2   (of possible 2 points) Who first esablished the School of American Ballet, after recognizing the need for good dance training in America? A. George Balanchine B. Agnes de Mille C. Serge Lifar D. Lucia Chase Answer Key: A Question 8 of 23     Score: 2   (of possible 2 points) Freed by Cunningham and Nikolais from the necessity of storytelling or self-expression, the choreographers of the sixties began to explore new approaches to conceiving and structuring dances. True False Answer Key: True Question 9 of 23     Score: 2   (of possible 2 points) Who organized the first dance concert in 1962 at Judson Memorial Church, which became a center for artistic and intellectual activities and the home of the group known as Judson Dance Theater? A. Trisha Brown B. Kenneth King C. Simone Forti D. Robert Dunn Answer Key: D Question 10 of 23     Score: 2   (of possible 2 points) In Cunningham’s works, although music occupies the same timespan as the choreography, and design the same physical space, neither has to relate in any other way to the dancing. True False Answer Key: True Question 11 of 23     Score: 2   (of possible 2 points) Which choreographer’s technique uses contact improvisation, in which the performers alternately take each other’s weight without using their hands, and requires a highly developed sense of balance and a capacity for rapport with others? A. Steve Paxton B. David Gordon C. Douglas Dunn D. Trisha Brown Answer Key: A Question 12 of 23     Score: 2   (of possible 2 points) Merce Cunningham is known for frequently collaborating with avant-garde composer: A. Scott Joplin B. George Gershwin C. John Cage D. Sergei Rachmaninoff Answer Key: C Question 13 of 23     Score: 0   (of possible 2 points) Which choreographer rebelled against what he viewed as the modern dance’s preoccupation with self? A. Paul Taylor B. Merce Cunningham C. Alvin Ailey D. Alwin Nikolais Answer Key: D Question 14 of 23     Score: 2   (of possible 2 points). Although the extreme experiments of the 1950’s, 60’s, and 70’s have been abandoned or softened with time, their impact has had which of the following effects on our conceptions of dance today? A. there is now more latitude in the types of movement generally accepted as dance B. there is more freedom of choice in choreographic method, performing style, costume, performing space and other elements of presentation C. it helped dissolve the myth that a dancer had to be trained practically from the cradle D. all of the above Answer Key: D Question 15 of 23     Score: 2   (of possible 2 points). Louis Horst’s review of Paul Taylor’s program ‘Seven New Dances’, published in Dance Observer of November 1957, consisted of a blank space. True False Answer Key: True Question 16 of 23     Score: 2   (of possible 2 points) Which choreographer used everyday movements such as walking, running and sitting – an objective reminiscent of Isadora Duncan’s? A. Paul Taylor B. Lucinda Childs C. Anna Sokolow D. Martha Graham Answer Key: A Question 17 of 23     Score: 2   (of possible 2 points) Merce Cunningham has been recognized during his lifetime as one of the most innovative and influential choreographers of the 20th Century. True False Answer Key: True Question 18 of 23     Score: 2   (of possible 2 points) Who said â€Å"I want man to be able to identify with things other than himself. We must give up our navel contemplations long enough to take our place in space. †A. Meredith Monk B. Alwin Nikolais C. Twyla Tharp D. David Gordon Answer Key: B Question 19 of 23     Score: 2   (of possible 2 points) The artists involved with Judson Dance Theater were avant-garde experimentalists who embraced the confines of Modern dance practice and theory. True False Answer Key: False. Question 20 of 23     Score: 2   (of possible 2 points) Cunningham sees randomness and arbitrariness as positive qualities in making dances because they are never conditions of real life. True False Answer Key: False Question 21 of 23     Score: 2   (of possible 2 points) Who choreographed the radical work, Duet (1957), in which he and his pianist remained motionless for the duration of the dance, which was accompanied by a ‘non-score’ by John Cage. A. Merce Cunningham B. Paul Taylor C. Gene Kelly D. Mikhail Baryshnikov Answer Key: B. Question 22 of 23     Score: 2   (of possible 2 points) Who said: â€Å"NO to spectacle no to virtuosity no to transformations and magic and make-believe no to the glamour and transcendency of the star image no to the heroic no to the anti-heroic no to trash imagery no to involvement of performer or spectator no to style no to camp no to seduction of spectator by the wiles of the performer no to eccentricity no to moving or being moved. †A. Yvonne Rainer B. Twyla Tharp C. Alvin Ailey D. Mikhail Baryshnikov Answer Key: A Question 23 of 23     Score: 6   (of possible 6 points). Please match the following descriptions with the correct answers Match Choice 1. Two major ballet companies in Soviet Russia initially known in the 1920s and 30s to encourage a predilection towards drama for political purposes. Select A. B. C. A. Kirov and Bolshoi Ballets 2. In contrast to the Ballet Russe companies, with their cosmopolitan roster and perennial touring, several companies in England began to develop a smaller scale national identity in the 1920s and 30’s Select A. B. C. B. Ballet Rambert and Sadler’s Wells Ballet 3. After Diaghilev’s death in 1929, and his company had disbanded, its name and heritage were claimed by two rival companies. Select A. B. C. C. Basil Ballets Russes and Ballet Russe de Monte Carlo Answer Key: 1 – A, 2 – B, 3 – C Part 1 of 1  Multiple Choice     Score: 50   (of possible 50 points) Question 1 of 25     Score: 2   (of possible 2 points) Although Alvin Ailey is usually classified as a modern dancer, he often employed the hybrid form of ‘modern ballet’ in works created for his multi-racial group, the Alvin Ailey American Dance Theater. True False Answer Key: True Question 2 of 25     Score: 2   (of possible 2 points) Life, death, and metamorphosis are _______’s principle themes. A. Butoh B. Tanztheater C. Minimalism D. Hip-hop Answer Key: A Question 3 of 25     Score: 2   (of possible 2 points) Which choreographer of the Royal Ballet, produced many evening-long dramatic works including Romeo and Juliet (1965). A. Kenneth MacMillan B. Sir Frederick Ashton C. David Gordon D. Yuri Grigorovich Answer Key: A Question 4 of 25     Score: 2   (of possible 2 points) When did modern dance choreographers first begin to set pieces for ballet companies? A. early 1930’s B. late 1940’s C. mid 1950’s D. early 1970’s Answer Key: B Question 5 of 25     Score: 2   (of possible 2 points) Which organization, established in 1984, has encouraged many American dance companies to take new risks by funding their collaboration with progressive choreographers? A. The Take a Risk Foundation B. National Endowment for the Arts C. The National Choreography Project D. none of the above Answer Key: C Question 6 of 25     Score: 2   (of possible 2 points) Twyla Tharp has been a favorite guest choreographer and has mounted works for American Ballet Theatre featuring the Russian premier danseur ________________. A. George Balanchine B. Alexander Gudunov C. Michel Fokine D. Mikhail Baryshnikov Answer Key: D Question 7 of 25     Score: 2   (of possible 2 points) The term _______ became widely used in the 1970’s to describe certain types of peices by visual artists. A. punk B. story ballet C. performance art D. formalism Answer Key: C Question 8 of 25     Score: 2   (of possible 2 points). Riverdance is a show which presents the traditional dance form called _______ in a glamorous new package, performed by a large and proficient young cast with a high degree of energy and precision. A. Baroque dancing B. Ballroom dancing C. Court dancing D. Irish step dancing Answer Key: D Question 9 of 25     Score: 2   (of possible 2 points) Who choreographed Still/Here which was perceived as the choreographer’s response to the death from AIDS of his partner Arnie Zane, and his own HIV positive status? A. Mark Morris B. Matthew Bourne. C. Bill T. Jones D. Garth Fagan Answer Key: C Question 10 of 25     Score: 2   (of possible 2 points) A major offshoot of of modern dance, _______ , arose in Germany and is perhaps best known through the works of Pina Bausch. A. Butoh B. Minimalism C. Tanztheater D. Hip-hop Answer Key: C Question 11 of 25     Score: 2   (of possible 2 points) _______ is an urban culture created by rap musicians which encompasses music, dance and fashion. A. Butoh B. Minimalism C. Tanztheater D. Hip-hop Answer Key: D Question 12 of 25     Score.
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